IT DIDN’T FEEL LIKE I WAS SCREAMING BECAUSE THE WORLD WAS SO LOUD
Eight-channel sound installation.
15 November – 13 December 2018, Thursday evenings 6–9 p.m.
The second installment of SONIC SPACE, a new exhibition series at Geoff Stern Art Space, features a sound installation by Natalie Sandtorv.
Sandtorv’s sound installation is a retrospective meditation on her own career choices and a comment on societies’ constant need for self-confirmation through imitation of the originality of others; the never-ending mirroring we do to ourselves. The human voice has no limitations, and Sandtorv builds a universe in this installation by using nothing but the voice itself. With sound artist Erik Havnes as producer and musician/husband Ole Mofjell as sound recordist, Santorv has compiled recordings of her voice as a multichannel, ambisonic piece, and Havnes has layered, edited and dug deep into the sonic material to create an intimate and immersive listening experience – eight individual tracks, improvised and made as a comment to each other.
Natalie Sandtorv. Photos: Raquel Olivas
The Norwegian voice artist Natalie Sandtorv has been working on improvisational music with different groups and the electro-acoustic solo project Pieces of Solitude. There she explored the voice in combination with electronics and created a new vibration within the avant-garde scene. With her comissioned works Freedom Nation and Nomadic Rhymes, she has established herself both as a strong composer and unique vocal artist. IT DIDN’T FEEL LIKE I WAS SCREAMING BECAUSE THE WORLD WAS SO LOUD is her first sound installation.
Nine-channel sound installation. Duration: 25′
12 October – 9 November 2018, Friday evenings 6–9 p.m.
Short excerpt of the stereo mix, courtesy of the artists:
SONIC SPACE, an exhibition series at Geoff Stern Art Space, opens with a sound installation by Andrea Neumann and Mads Emil Nielsen.
Creepage Current, the artists’ three-part acousmatic work, is realised via a sound system involving eight high-fidelity, three-way speakers and a subwoofer. Each part of the work is derived from recordings of electronics by Nielsen and recordings of Neumann’s playing of her signature ‘inside piano’, a reduction of the piano to its strings, resonance board and cast-iron frame. Created by means of open improvisation, graphic scoring and multilayering, these recordings are remixed and spatialised through nine channels into a complex collage of sonic movement that elicits an impression of spatial texture and tactility.
Andrea Neumann and Mads Emil Nielsen at Geoff Stern Art Space. Photo: Raquel Olivas
Andrea Neumann (b. 1968), based in Berlin, studied classical piano at the Hochschule der Künste in Berlin. Through her exploration of the piano for new sound possibilities in the fields of new and experimental music, she has been significantly involved in the formation and development of the Echtzeitmusik scene in Berlin. She has co-organised ‘Labor Sonor’, a series for experimental music, film and performance in Berlin since 2000 and Labor Sonor Festivals since 2015.
Mads Emil Nielsen (b. 1989), based in Copenhagen, is a musician and composer who works with basic sound sources, often combined with short percussive and orchestral samples, real sounds and an amplification of machine produced errors. In 2014 he founded arbitrary, a label and artistic platform on which he has released a series of graphic scores and recordings. He has recently performed at Présences électronique 2018 (Ina GRM, Paris) and Phono & Wundergrund Festival (DK).
Photo: Raquel Olivas
Curated by Geoff Stern, SONIC SPACE consists of sound installations by artists who are active within the sound art scene in Berlin and internationally. The exhibition series explores sound’s materiality from a variety of artistic perspectives, reflecting the complex field of sound art in contemporary practice – from provocative noise manifestos and soundscapes of catastrophe to musical sculptures and conceptual critiques of social space.